Tuck's Gramophone Record Postcard
Tuck made post cards in a period that it was very popular to send this kind of messages. Isn't it cute I found an old post card in my archive, sent to my grand mother, from the Marble Arch in London, which happened to be a Tuck's Post Card. It's a pity that the stamp ( or other marks to date the card) have disappeared, but a small search on internet learned me that the photo itself must have been made early 1900s. ( First issue 1906).
Tuck used its photos several times and sometimes even inserted extra items, like cars or pedestrians to update the photo ( like this 1918 version).
I told about some rumours that Tuck and Durium had to do with each other. Not so strange as it seems, as I found out that the material of the Tuck Record ( the actual record) seems to be from the same material as the "Durium" record.
It is said that the Durium acetate was developed in Europe during the First World War, to protect aeroplane noses agains dust, heat, cold and moist and it seems that after the war new uses were found - I saw once advertisements for rain coats and garden furniture made of Durium. During the 1920s it seems that the durium acetate was used to make unbreakable gramophone records like Worldecho - a rather stiff cardboard layer with a durium surface, produced in England. These records were produced for only six months and then it was withdraw from the market, as the records easily split into two halves if you dropped it.
The Tuck's Gramophone Record I got in my collection is catalogued as series D no. 14 and its matrix number is P 58 - It belongs to one of the first series as it was first mentioned in a september 1929 magazine entitled Musical Opinion and Music Trades, which reads in its regular column: Messrs. Raphael Tuck are responsible for an amusing and interesting innovation in the shape of gramophone record picture postcards. Measuring 3-inch, these discs play for one minute and cost 3d each. Several series are already available, and I have heard admirable demonstrations of „Auld Lang Syne“, „Ye Banks and Braes“, „Annie Laurie“, „Bonnie Banks of Loch Lomond“. Besides these songs there are orchestral records and cornet and saxophone solos. One immediate result of these postcards has been the installation of portable gramophones in the smaller stations to demonstrate them!
Mine is one of those "cornet solos" and I played in once at my 1930s portable Columbia gramophone. Its sound is rather low-fi and it plays for almost one minute.
I found a copy of the original post card, entitled Watching for Father, a painting of the Scottish artist Scott Rankin, who was active in Scotland as a painter late nineteen century.
If you compare the reverse sites of both cards you'll learn that the blue lettering was printed later and features information about the record itself - the red/brown print learns more about the original Oilette Post Card no. 3368 which must have been dead stock from the 1910s or later.
The Tuck's Gramophone Record Postcard - one of those ephemeral hypes from 1930 - the depression of the Thirties.
author of the Hit of the Week-Durium Discogrqphies
This blog will also be published at the Flexible Records blog and the Keep (it) Swinging blog. ( in Dutch and English)
Due to severe health problems this will be one of my last publication at the Flexible Records blog, which started eight years ago, February 2006. Thanks for reading it!
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